Our Thoughts on Over Saturation

To play or not to play, that REALLY is the question. Ty and I started out performing everywhere we could get our asses booked with a few things in mind:
1: Experience. The more you play out, the better your live show will be. Practice is great. Practice is necessary. But there is nothing that will train your live show like playing live for a bunch of people you don't know. Scratch that. People you DO know tend to be a little harder to 'entertain'. Now, this isn't ALWAYS true. Sometimes, they're easier because you can get a dialogue going with people while on stage and that can prove to be a great tool, but sometimes, people you know, though more likely to clap and applaud, are probably people who have heard all your songs, seen your act, and talked to you before the show so what else do you have to say to them? Sometimes, they are great because you can mess with them, and you're more comfortable, but this can also be bad. If you are talking to people you know, you're leaving potential new fans out and that helps no one. Is this REALLY something we think about before during and after a show? YES! More on this later.
Reason 2: No offense, but people are fickle. 'Out of sight out of mind'. Even the most famous of the famous are forgotten when out of the spotlight. Let me give you a few examples and we will see f you think ‘Oh yeah! Them!’ Aleecia Silverstone. Kirk Cameron. Matthew Lillard. Or on the opposite end of the spectrum, Lindsay Lohan, Paris Hilton, Kim Kardashian, people who are ALWAYS in the news etc. They’re famous for being famous. In comes the saying 'there’s no such thing as bad press' or how ever you say it. Other people’s attention is what gets you noticed by new crowds. So if we play every weekend and sometimes during the week, there is more chance of people seeing our names SOMEWHERE over and over and over again. But do we want OR need that kind of attention? Do we want to be famous for being famous? Or do we want to be talented musicians who get credit where credit is due?
Reason 3: Playing shows = networking opportunities. Not only to build a fan base, but also to meet other musicians and build a community (which if you live in Utah, you KNOW is sorely needed.) Again, let me list a few musicians we met JUST from shows. Us Thieves. Wil Prater. Ashlee Dickson. Peter Harvey. There are WAY more but my point is this, we respect and enjoy their music and have continued to work with them all as a result.
Reason 4: We love it. Seriously, it is HARD work, and very exhausting to perform out every weekend almost always 2 nights a weekend. Packing, unpacking, no time off, work during the week, work during the weekend. (Though we have never seen this as ‘work’)
Ok. Culmination. Are we playing too much?? Do people see we are playing somewhere and say, ‘eh, I’ll catch em next week.’ Are we actually doing ourselves harm? Will we burn out?
OPPINNION section. We REALLY would love to hear thoughts on this. Our thought is this. Performers take breaks, go on hiatus, etc. but I have always felt (again no offense) that your relationships with the clubs you frequently play are just as important as all the other relationships you’re juggling. Not only are many clubs changing ownership, managers, and staff, but also booking agents. If we stop playing out for more than a week or 2, suddenly we are playing catch up. Sometimes, if you don’t book a place for a while, you call to book, and guess what. ‘We decided not to have live music anymore.’ Could you have prevented that? Maybe. Maybe they needed more musicians to perform and didn’t have a list built yet. Finding people to come perform was way more work then they wanted to put into it. This isn’t our job, no, but as a dedicated networking musician, I think we should take it upon ourselves to share our contacts with clubs and our clubs with contacts. Why? Because the more clubs die, the fewer places to perform, the more our music scene dies everyday. That….. would suck! So, our idea, is to perform more like 2-3 times a month instead of 6-8 in clubs, coffee shops etc. This way we can properly promote shows without the daily Facebook that everyone starts ignoring after the 5th one that week. I mean, think about it. When a band comes through town that you like, aren’t you more likely to go see them than do anything else because it’s for a limited time? Um…ya! We DO however feel that we need to keep performing so we are thinking of having weekend concerts in our basement 1-2 times a month. This is for the invited, the trusted, and the music loving people. We want to have other musicians come play with us. This would be like house concerts, but we would play at all of them. If no one comes, its practice lol. So, our friends our invited to our practice. No promoting, no Facebook posts, just a one time text saying ‘hey, house concerts on the 1 and 3rd Friday of the month’ (example) What do you think??
Finally retouching on reason #1. If we do this concert idea, we want suggestions, ideas, and general help. No performing artist can perform the same set, the same way, with the same banter every time. Its stale, and no one wants to see these more than 2 times at the most. These concerts would be to improve our entertainment skills. A boring musician who is talented is still boring.
So, is this the way to find a happy medium to the Lindsay Lohan or the Aleecia Silverstone way of life? Ready? Go!