Acoustic All-Stars 2012 = Success and Mucho fun!!!

What a weekend!!!  

Let me just start here….. See, this is the 5^th year of the AAS and a tiny bit of history is in order to give you a better idea of how awesome this weekend was.

We started our search for a venue to hold an acoustic music festival at a place called Club Celsius in Park City. They closed down and show was a no go. Then we played at The Star Bar for a show opening for Joshua James and Benton Paul. We fell in love with the staff and the bar set up and got our first venue for the AAS. The first year we had a small crowd.  The second a decent crowd. We implemented the ticketing system that year.  The Third year, we opened the doors to a line down the street of ticket holders.  Then, discord with staff and owner at The Star Bar made all the people we were previously working with jump ship. We couldn’t ask our artists to rely on such unpredictable circumstances and had to jump ship as well. We thought, we want to go to where Celsius was again! So the 4^th year was at The Downstairs. This year we were able to get a few sponsors, make t shirts, pay for advertising, etc.

In the end, I apologize to The Downstairs for this, but we were miserable with the results. The Staff wasn’t friendly, the owner’s expectations were unrealistic, and the seating was atrocious. We had to leave.

The first time we talked to Mischell and Mario about having the 5^th year at Fats, we were at the end of our rope. We heard rumor the previous year of artists complaining that they were too good for a 30 minute set and that we weren’t paying them.  We were at the point that if this year didn’t work out we were going to stop. We also decided that the stress and taxes of having sponsors wasn’t worth it. We weren’t able to spend the time on making the fest the best it could be because we were trying so hard to make money. Unfortunately, we don’t make money on this fest. Fortunately, it is more fun that way. Weird I know. lol

Now, I mean this in the best way possible, but artists…we set up the ticketing system because we can’t afford to pay you. What’s more, we will never be able to pay you all more than you could make with your tickets. Yes, I know you’re being nice and giving them out just to get people to come see you, but that’s YOUR decision. We have had a few people over the years say ‘now if only you could pay us.’  Well, we technically do. You’re just not earning it. I’m sorry but that’s the fact. We give you enough tickets (and you can request more) to sell them and make a good profit. We give tickets out to get people in so the bar makes money and we keep the little bit of money from the door which rarely covers our overhead. We apologize because this year we just didn’t have the money for any advertising but IMAGINE next year when we do J

What you don’t see is that 90% of the attendees are A:Friends of the bar and don’t pay, B: Have Tickets or are on a list, or C: Come in late enough we don’t charge them. Honest math…..If we took our profit (Overall income  + our own merch profit – (MINUS) Photographer, Food, tipping bar, making T shirts, making posters, purchasing tickets (that we give you), and gas to hang fliers, pick up fliers, back and forth to venue all weekend, etc that would pay each band evenly $8.09. I’m totally not exaggerating lol.

I just needed, for myself, to explain that to anyone who wonders why we don’t pay you. We would love to. We really would. But the tickets were brought out to make sure you all could make some money. If you don’t we are not responsible. We also don’t mind if you give them out. But really, what’s the difference of asking people to buy them or asking them to pay a door fee? It’s the same amount. If they are your friends / fans they’ll give you 5$  J

Anyway, what was wonderful about this year was that there was no discord, there was no artists acting like princesses, everyone was on time or early, people hung out, ate, bought or were given tickets, and we all had fun. The staff was friendly, the food was great, the drinks were cheap, and we all left with a happy warm feeling.

We will definitely have a year 6 and it will be even better. 

Off subject for a second…….Last, I want to pay tribute to our good friend Ischa of Minx.

I have been watching her amazing stage presence and ability to just give her performance all she has and I truly look up to her. She is a phenomenal performer and I see her as any musician’s perfect role model. There are things I have always wanted to do on stage and seeing her grace and professionalism has been pushing me to get out of my comfort zone and just do it.

Last night I took my mic off the stand for the first time and sang Alanis. I was so scary. I thought sure I’d pull the mic off and hit myself in the face and end up bleeding, ruin the song, everyone would laugh at me, and Id go home and curl up like a dead spider lol.

It was amazing and empowering and I loved it.

Thank you Ischa. You’re beautiful and inspiring and your inspiring nature lead to one of the best performances we have ever had . Xoxo

Last!

All the musicians this weekend were awesome and we want to thank everyone who stayed for our performance. It was Sunday and everyone works today but the people who stayed for our set are the best friends anyone could ask for. We like to take smaller sets and lesser loved times every once in a while just to makes sure its fair and that everyone knows that side stages and opening the show are not a reflection of your talent but merely the fact that not everyone can play the main stage and not everyone can have the best time slot. Those of you who took time out of your busy schedules to stay and listen to the last band of the festival are our heroes and we thank you from the bottom of our hearts. You made last night end with a bang and we had no idea we could even imagine that outcome.

Thank you all again. Next year is going to rock your socks!!!!!!!!!!!!!!!

Check out photos!!  http://www.facebook.com/#!/pages/Tim-Candelaria-Photography/305338682811887

Next. Acoustic All Stars August 11 at Rovali's in Ogden!!!

Top 10 reasons NOT to give up

1: Everyone who ever told you that you can’t/ Wont….Don’t you DARE prove them right!

   2: You will regret it for the rest of your life and anyone involved with said quitting, you will secretly resent as well

3: Do you REALLY want to? I doubt it!

4: Because it’s like working out, or trying to date someone that isn’t necessarily sure they’re ready but you both know its right…..If you do it, with all the struggles and trials and bad things that no doubt will happen, you will look back and be so grateful for the ride.

5: THE RIDE!!!! OMG the bad and the good and everything in between is what makes this whole damn thing worth it.

6: Because, musician or not, things that you have to work this hard for are so great and test your character, morals, motivation, and even stamina. You find who you really are and when you have to push yourself out of your comfort zone, which you have to a lot whether its pleasing a different crowd, or telling a booking agent to fuck off because they’re ridiculous, its good for you to stand your ground and be who you are.

7: You will learn what drives and inspires you. If you believe in Karma and Chi you know that this sort of thing is the best for finding your center.

8: It’s different than what most other people do in their lives and someday you can inspire others with your commitment to something so different and really looked down on. People never think you’ll make it so when you can do what you love against all odds its inspiring no matter what level you’re at.

9: You learn who real friends are, who has character, who will stab you in the back for a dollar, and who will stand behind you when you act like a total douche. Some of the best actors I ever met were musicians who act like they’re you’re friends because as any of you know, we can all help each other somehow. There is a LOT of people who will use you. The reason not to quit here is that when you find your friends they’re so everlasting and important to you that you will have people you can rely on that you may have never met otherwise.

10: Because if you were really passionate about this to do it and say you want it you would NEVER give up. Everyone has a split second where they say ‘maybe I should just be done’ but it’s in you. Its part of you and you need to do this if you’re REALLY passionate about it. Do not let the pressures of society get to you. Don’t live your life wishing you had.

Inspiring Days Are The Best

Well, here I am sitting in my living room listening to our newest song (literally less than 1 hour old as I start to write this) on my phone over and over. I wish we could just release this shit like, now! LOL.
Today has been what I hope fulltime musicianhood would be like. Wake up a little later in the day, get ready, go play a show, go home, write a song, work on it, record a little, head out to a destination such as recording or in the future touring, and then play my little heart out. WHAT A GREAT LIFE!!!!!
Then theres writing songs. Sometimes I get inspiration at work and eventhough I write it down and do what I can with it, I always get home and the inspiration is gone. That, is, the, WORST.
But, does anyone else feel like they can't say what they want to say in a song for one reason or another. I mean, I personally don't like 'sharing feelings' and getting all mushy etc. It's just no my thing. So I sing about it. Its the only way to get it out and you HAVE to get it out SOMEHOW. So, sometimes, I have a super inspiring day and we write a song that I think contains all my current feelings with out wearing my heart on my sleeve. Yuck lol. Now I feel renewed. After you do anything you're proud of, its such a relief. This is why inspiring days are the best. Its like this renewal of yourself. You don't feel so tired, so exausted. You just feel better. I'd love to hear from you guys what inspires you, what you do with it, and how it makes you feel when you get it all out.
Tonight, we will be leaving to record in California and give a few of our songs the recording they deserve. This is such a great step for us and we are really excited to take it. Big things guys. Seriously, we may not be the first of our friends to live the dream, but we'll see you all soon :D
Side note, thank you to you who support us. We can't tell you how much it means to us and how special it is to share this journey with you. Some of you are such great friends and we can't imagine life with out you. Every time one of you leaves for greener pastures, we can feel the space you leave behind but are so excited for you and your new journeys and the fact that its one more couch in this country we can crash on later lol. Those who are here with us in the UT. We can't wait for more :D

No blog this week....

Just wanted to see if you'd read it ha ha. Any ideas for future blog subjects?:D

“Come to me my pretties”

It seems that no matter what you’re taking about, keeping with and ahead of trends can turn anything into gold. But have you ever heard the phrase ‘All that shimmers is not gold’? I sure have. So what means “Gold” to you I wonder? Now, I know Ty and I are musicians and talk more about the music biz than anything else, but I think a lot of us forget that music IS a business. Therefore, why can’t some of our blogs include everyone? Well, they can but I don’t know if they will because I have never owned a restaurant, or a law firm, or anything else for that matter. I owned a car once…. I don’t think that counts.
I digress.
Today, I hear more about the glories of Social Media than anything else. I agree that it has its power, for one who not only knows how to use it, but uses it religiously. Lives for it. Those people can do anything with it, and when I say anything, I believe ANYTHING. Ty and I do not lol. This is why I feel a sense of relief when I see articles posted by gregdowns.com like this: http://www.musicthinktank.com/blog/eight-recent-social-and-technical-phenomena-that-are-making.(copy and paste url) Bruce Warila essentially says you CAN succeed without being deeply committed to social media sites if you know how to play to your audience. If you can peak an interest in your fans ….wait…..Lets start from the beginning. I have no fans. I have no product that is worthwhile. If I have a way to make a product that people will like (= LOTS OF HARD WORK), if they see/hear it at a trade show, concert, etc., I only need a few things to happen. One or two people who like it can and probably will post something on THEIR social media site. If I have something people want to see, they will tell their friends, and their friends will show up. If I have people show up, guess what… we look cooler… and cool is and always will be ‘In’. Suddenly, someone posts a video of us performing…YouTube…check. Every time someone likes that video or post that a fan put up, we gain credibility (I heard all about this last night at a conference and will touch briefly on it later) as well as coolness. Remember? Always in. Now we have a brand, a product, and guess what, we didn’t have a website, a YouTube, a twitter, a Facebook, a MySpace, a reverbnation, a Flickr, or any other of the thousands of sites out there. Do I recommend this? No! Why not? Because making a product into ‘Gold’ is a slow process WITH those things. Imagine not having them. But… *Whew…sigh of relief* Can I just say it? I HATE social media! I have felt it’s a necessary evil! And yet, here I am, writing a blog… about social media… saying I hate it…and referencing websites, Facebook’s, twitters, etc. So, CAN it be done? Yes. But I don’t recommend it. Besides, if you think about it, WE may not have a webpage or those other sites in this story, but we are still using them through other people. I mean, before Newspapers, radio, and TV, (the ORIGINAL social medias) there were NO megabands, or were there? I mean, without some sort of circulation, how would there be? I would LOVE to hear some input about this if anyone knows anything about it. I googled it but couldn’t find any info.
It seems to me that we as earth (ha ha) are breeding a new sort of artist. An artist with an ego larger than life. To have access to people in other states, countries, MAYBE planets lol, seems quite the accomplishment. No wonder so many crash and burn and become total monsters! Suddenly we have access to EVERYTHING at the snap of a finger. This brings me to the next point. http://music-promotion-blog.blogspot.com/2010/06/do-you-use-marketing-match-or.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+MusicPromotionBlog+%28Bob+Baker%27s+Indie+Music+Promotion+Blog%29&utm_content=Google+Feedfetcher
We are in the flamethrower age. We are all throwing shit at the wall and seeing what sticks when in fact we should be nicely wrapping that shit in a box and tossing it to a few people here and there…wait lol. Read this article for realzies! I just don’t know how to better paraphrase it and it’s short.
The last thing I am going to talk about is credibility. Someone brought this up at a social media conference last night and I apologize for anything that may be misconstrued or taken as a bash. I am not going for that. See, what is ok for one person may not be ok for another. When building your credibility, you are deciding what you will put up with, what you will be known for, how reliable you are, if your fans, friends, and tweeps can trust you. (Why don’t Facebook fans have a cool name? Like, Friendbookers or Facebros/Facebitches? I like the latter.) Don’t fall prey to those companies that tweet for you, that message people for your, that take over your whole social media persona for you, and I’m sorry, but autoreplies are just as bad to me. Now, a great point was made. If you are honest and tell your fans etc. that you’re busy and keep them engaged and let them know what you’re doing that you can’t reply to everyone then you don’t have to worry about that. But ALSO, if you don’t follow someone on twitter, they can’t direct message you so DON’T follow EVERYONE on twitter. Simple.
To come full circle, we are in a mirage of a simpler time. With access to anything we need, we forget that bands played, toured, performed, and made a living BEFORE these sites. Don’t get me wrong. I know people who I believe will be very successful either at these sites or because of them, but successful none the less. But there is such a strong focus on these sites that we forget that we just need a great product. What does that say about Ty and me? We need to work harder to have a better product. We need to be more engaging, more exciting, and more fun. If you’re not a successful musician (remember? What is ‘Gold’ to you?) So do you. How? That’s only something YOU can decide. We are all in a creative right brain business. Don’t limit yourself to music. It can be done. Will it?

If you want to be successful, surround yourself with promising and already successful people.

When I sold vacuumes door-to-door (swear to God it's true) I learned a lot. There are a few statements and sayings that have forever stuck with me. To quote a few, practice doesn't make perfect, "Practice makes improvement". Some people may not like this half empty approach, but I think it has a realizm that is important in certain situations. "The fear of loss is greater than the hope of gain." This quote is particularly interesteing to me because if you think about it and open your eyes, you can see that mostly that's true. People are more afraid to lose something they feel is important than almost anything else. "Dream Big. It's free." Nuff said right? And finally, "If you want to be successful, surround yourself with promising and already successful people." This one is invaluable.
Long ago, we realized that you can have 1,000,000 acquaintences, but if only 2 of them know YOU, you may as well have 2 acquaintences. BUT. If you have 3 real friends, you have 3 real friends. Ty and I have made it super important in our quest for the life of music to surround ourselves with people we truly enjoy, like, and have a respect for with only one ulterior motive. To really truly be friends with those people. This brings me to my next quote. I heard it on the radio one day. "Be nice to people on your way up because you'll need them on your way back down." -Winston Churchill. We have decided to base our careers on this quote.
We have been so privelaged to be associated with some of the greatest fans, musicians, and venues probably known to man that it's easy to live this way. Sometimes new friends come along and that is just fine. Sometimes we get an email from a 'Fran' (I just came up with that because our fans are our friends. I dub thee, Fran) telling us how much they love our music, or thanking us for free tickets to shows. These emails are beautiful. Never stop! It means so much to us to have people like what we love to do. I think a lot of people don't understand artistic endeavors. We work with some supportive people, but I think a lot of them think its rediculous. We get asked silly questions a lot in jest toward us.We hear this more than we hear "I love your music". I remember as a kid getting teased for singing. Even some family (not immediate) telling me I couldn't do it... Well... Guess what. We're doing it! lol Now some of those people have since found me on facebook and tell me they enjoy our music. And the ones I REALLY love are the people I was once friends with who WERE supportive of me finding us on facebook and online and saying they still love us :D *warm and fuzzy*. Then, we come play a show and we play a new song that we're not sure about, and you love it, or we are just really feeling it and it feels GREAT. And then a Fran (lol I'm a genius), new or old tells us they love it. All of a sudden all is right with the world.
As we get more involved with the community, new people turn up everyday and its really exciting to meet them. We think of most of you as famous in our eyes because we get to do some bad ass things! :D
A good example of this is The Utah Musicians Breakfast Club which was started after Eric Openshaw suggested a monthly meting with musicians at breakfast. GENIUS! Eric, Us, Taryn, and Candice started building a community of musicians on Facebook that brought us together at places we all choose. We meet once a month and talk about music, our plans, shows coming up, what we've been working on, and share ideas and sometimes join in on the events. This is exciting because we are all facebook friends but sometimes you miss those opportunities or you can hear more details in person. Some great shows and collaborations have come from these things.
It's exciting to be accepted in this group of truly great people, Kole, John, MIke, Taryn, Rick, The Local Landing guys, Eric, I can't even name them all,(sorry) and get to hear their ideas, the things they feel deeply for and get the chance to join in on these endeavors and help them get it out to all our friends to help build it. This community of music is something surreal. No idea is a bad idea. No one is turned away (unless you're someone ex-boyfriend stalking them or something like that. Then you have to leave. lol) Everyone is trying to be a part of a movement that I know deep down will be remembered even if only by us. We truly believe that the people we are meeting every day are so amazingly talented and smart that many of them are going to find a way to do what they love. To even just watch that is so cool :)
We just are excited to see where our lives go, what we accomplish and what we have to give up on, and whats more, the people we are still truly dear friends with 20 years from now. We love you all in a totally non perverted or innappropriate way. (except maybe Kole. Its totally innappropriate and perverted lol jk)

Building Something from Awesome...

Long long ago, in a city not so far away, I decided I hated work. Work is the worst thing even invented and farming and trading goods was still not all that great. I wonder to myself, 'Why can't I be something awesome, like a mattress tester, or a video game tester, or some other kind of tester that was fun and relaxing?' But alas, No such job has ever been made available to me. What is surprising is that you need a degree to make $ testing video games and there are NO people who go into work and make their living taking naps on new mattresses....are there? I know most people hate their jobs, so I say, if you hate it and there's something you love to do, figure out how to make money doing it. You can! But HOW?
This is the journey we have yet to take.
We have been fortunate in the press we have gotten, and even some of the places we've played and people we've opened for but still when we call to book and places we have played several times, even THEY don't even know who we are lol. We have learned so much in this world of music, and yet, we are soooooooo new to this.
I have learned about the ways of music from an embarrassing amount of TV and radio. Music videos we're my radio and they were always on. My dad played old 8 tracks with old old old music on them and I realized from "May the Bird of Paradise Fly up your Nose" (real song, look it up) you can be a silly songwriter. I tried that as a kid and it was not the fit for me. I have learned that some of the more experienced musicians are the biggest a-holes and some of the less experienced are the greatest people you could ever meet. But growing a business is its own learning experience entirely. Because that's what this is. A business. I wouldn't mind if we could perform for a living and make close to what we make now at the full time jobs we love so dearly. That shouldn't be TOO hard. But there's so much to it and you have to take it seriously. Theres research, pictures, new songs, legal issues to understand or know someone who does that can help you, taxes, your image, social media, and so much more than I even imagined.
In an effort to bring a community together as well as build some worth for our business, Ty and I founded an acoustic music festival called The Acoustic All-Stars (http://www.acoustic-allstars.com) about 3 years ago. The first 2 years were spent working out kinks, which will inevidably continue, but now its growing more. If we can't advertise, it will not grow, and eventually die. This is a huge task because I have never done anything like asking for sponsors before and quite honestly its scary as hell. But, knowing that if we can't make a business out of music, I'll sit behind my desk for the rest of my life, we HAVE to succeed. This is all part of our plan to take over the music universe......or at least a small corner of it.
I have heard numerous interviews with actors, singer, writers, all these "you'll never make it" type industries, and so many have said 'I wasn't successful until I risked it all and did this full time. Then I had nothing else to fall back on I had NO choice and HAD to make it.'
The biggest problem we have is that everything we do is twice as expensive. I can't quit my job and tour with out him, and vise versa. If we tour, it costs us twice what it costs our solo friends. Food, gas, everything. Most people have one of 3 situations. 1: They're solo or in a band, but their spouse, significant other, parents work and cover extra expenses. 2: Their job pays well and they're financially fit now so they can work AND tour as much as they want, or 3: They are already successful musicians making their living that way.
So we have started saving money to pay off all debts, and working on a business model, which I had heard of before but when told we should do it, I thought...'How have we NOT done that!?' (Thanks http://www.Gregdowns.com)So now, to learn what a business model is. lol
If anyone has some suggestions, we'll take them :D
We need to learn how to monetize this bitch. lol It is time!
We also have to realize that management in the music industry isn't what it used to be. Now everything is DIY. Getting a big record contract isn't the dream most of us have anymore because we can loose our creative freedom, and a huge chunk of hard earned money to the company/label taking good care of us. Besides, a lot of labels sign you and then say, ok keep doing what you're doing, good luck, we may drop you.
Here's what Im reaching at. If I could travel the world singing and writing songs and meeting the awesome people we get to meet at shows, I wouldn't work another day in my life. Its not work to me. I have only ever played a show one or two times that felt like I was going to a job. Its the thing that I was born to do. Its what makes me breathe. (Id add eat but thats not why. I love food!)
Let me tell you how it feels. Its like the best drug ever that makes you feel like you're in the right place, and is almost orgasmic but in the purest form. Its zen and its beautiful. This is all really deep........

ASCAP 2010

This past week Melody and I had the amazing opportunity to attend the ASCAP "I Create Music" Expo in Hollywood, Ca. For those of you who don't know what ASCAP is, it's American Society of Composers, Authors, & Publishers. We had the amazing chance to interact with some of the music industry's top people as well as listen to some amazing speakers talk about their careers and what got them to where they are at.
I'm going to take you with me on the journey and tell you how the weekend happened from my point of view . . . . here we go!

Wednesday morning comes and the anticipation has been killing us to head out on the road and start our first "long distance" road trip. The few days before Mel spent a lot of her time compiling the "perfect" iPod road trip mix, just to find out that Kole's car doesn't have an input jack. DOH! So it's CD's & old fashion radio for us on the drive.

After picking up Mike, getting some road snacks, and stopping to pee, we're finally on the road headed south towards warmer weather. The drive wasn't bad at all, except that it rained the whole time up until we rolled into Vegas, where the sky cleared just enough to see the sun setting over Sin City.

Now the plan was that we were to meet up with Kole at one of her friends house, after changing plans 3 or 4 times, we eventually ended up doing what we had originally set out to do. Now the only problem was that her friend lived in a gated community that had a guard at the front gates. *Note to self: Make sure that you know the name of the person who's house your going to, make sure you know the correct gate to go to, and also, make sure that you understand that they may want to do a complete background check along with a rectal exam before letting you into their "gated club"

Finally we were in Vegas and headed over to The Freakin Frog for our show. The Freakin Frog is located just across the street from the UNLV campus so they get a lot of the college crowd in there. Another draw they have is their 777 different beers and over 200 different kinds of whiskey, SCORE! The sound guy, Howard, pulled us aside and explained to us the history of The Freakin Frog along with the 777 beers, and finished off with a tour of the beer cooler *drooling*. He basically said to us "If you come in here and fuck around on stage and make a spectacle of yourselves, don't expect to come back". So we start the show, Mel and I take the stage for our set and we're playing for a few sparse couples in the place and at the bar is a UNLV softball rec team, they seemed to enjoy the music and we had a great time. Next up was Kole, this deserves a whole new paragraph to tell her story . . .

Kole takes the stage, and if you don't know anything about her, let me help you understand her a little better. She's a ball of friggin energy ALWAYS! So she's up on stage playing her songs and interacting with the crowd. "If I leave here without at least some sort of tip, I can't get a pack of gum on the way to LA, so please tip me" she says in her quirky way. Sure enough, she get's a couple dollar bills and a stick of gum. Always be conscious of what your asking for, because you might just get it!

I was the DD for the night because we were headed to LA after our show. Here's what happens when you get a group of Utahns together in Vegas . . . Mike becomes Michael or Gapa, Mel becomes Leody, and Kole, well Kole is Kole. So on to LA . . .

The drive wasn't bad at all, Mike, Kole, and Mel slept for most of the way and finally we pulled into Hollywood at 4:30am ready to crash. After unloading the car, finding our rooms, brushing our teeth, and finally settling in, it was 5am.

*BEEP* *BEEP* *BEEP* sounds my alarm at 7am and the only thing that I can think to myself is "Who on God's earth is stupid enough to wake up at 7am just for some music conference?" Us apparently. 2 hours of sleep is tough but nothing that a few cups of coffee can't fix! So we get into the car and make our way down to the Renaissance Hotel where ASCAP was being held.

I won't go too much into detail about the classes and speakers because that was something that I think you need to see for yourself to actually get the full effect.

The first day was tough because none of us had slept too much the night before, we had just spent a full day in & out of various classes, and we still had to drive down to Long Beach to play another show. So unfortunately for Mel we had to miss most of John Mayer talking, sorry Mel. On the brighter side, we were really excited about playing that night at a place called DiPiazza's. We had tried to book a gig there a few months before without any luck, but because we had helped another band from Long Beach score a gig in SLC, they helped us get booked. ALWAYS REMEMBER THAT GIG TRADING IS BRILLIANT!!!!!

The show went great, the crowd was responsive, Mel's long lost cousin showed up, and the Lakers lost! Great night!

Friday came and went without a hitch, nothing dramatic happened during the day, but once the night came so did SUSHI! We met up with a couple friends that we knew from down there at this little hol-in-the-wall place called Sushi Ike in Hollywood. Little did we know, but this place is one of the most coveted sushi stops in LA and they didn't disappoint! DE-FREAKIN-LICIOUS! The best part about eating sushi is that there's a little bit of a sushi coma that comes on after and it makes sleeping quite nice!

So on to Saturday, this was the big finishing day of ASCAP and we were trying to soak all of it in that we could. The classes went great as usual, and the whole event was capped off with an amazing Justin Timberlake & Bill Withers interview . . . some of my favorite words from Bill Withers were "It's time to stop worrying about what designer clothes your going to wear, or who your going to be seen with, it's time to get back to making music because you love to make music!". Cheers to this Bill!

Saturday night was FULL of great times, we walked over to the Grauman's Chinese Theater and saw all of the celebrity foot & hand prints, Mel got sliced up by an impressionistic Edward Scissor-Hands, we saw a Zombie march of about 100-150 people fully dressed as zombies, and then it was on to U-wink for cocktails. U-wink is a sports type bar that has little touchscreen tv's at every table. The touch screen is how you do everything at this place, it's how you place a drink order, food order, play games with people throughout the whole bar, and just an all around cool atmosphere. The best part for me was that as we played bingo with the whole bar, I kept putting my name as "Lakers Suck", this was especially great when we won and everyone's screen popped up "Lakers Suck is the WINNER!" HAHAHA, all of this during the actual Laker game where they were getting whopped on by OKC. This was my own personal victory, watching the Lakers lose twice and both while I was in LA!

So onto Sunday which was the day that really made this whole trip worth it for me. It started out a little better than the previous days because we didn't have to wake our asses up at 7am, we could actually sleep in a little bit. The weather was absolutely perfect and the coffee was extra delicious. We were getting set up for our backyard concert session that was to take place that afternoon. We hadn't really put much into planning this, other than we all knew that we were going to hang out in the back yard, and play some music.

As myself and John Zay were setting up the chars and getting all of the dog poo out of the way, John started talking to be about the "power of the tree". In this backyard there is a huge tree that overhangs the entire size of the yard. "It's full of great vibes" John told me. And let me tell you, this was ever so true. The concert started off with Marc "Coop" Cooper on guitar playing some ambient moody riffs, then Shelly Riff adding his acoustic take, John Zay on 12-string really filled up the mix, Kole & Melody singing lightly, and I was keeping some rhythmic beats going on the guitar body. This 1st jam lasted about 15 minutes and really set the feeling for the rest of the afternoon.

Each of us took turns playing our songs and every other musician would join in and create a version of the song that no one had ever heard before. This was pure magic and to me what making music is all about. None of us had EVER played music together, yet we all spoke the same language and communicated without a flaw.

Sunday April 25th, 2010 - Los Feliz, Ca - This is a date that I will always keep in my memory bank as one that helped reload my love and passion for music. The love and passion has never left me, but there are times that you need a little boost, and this did more than boost it, it redefined it. What an amazing weekend!


So what a great weekend I had and we look forward to including many many more people in trips like this in the future!

*Memory*

*Memory*

(2 uncensored phrases)

I remember sitting at work thinking about all the cool things going on around SLC and how fun it would be to be a part of them. When you're an acoustic musician, you have to be careful who you're trying to get in with. I mean, though I think Gawdzye (http://www.myspace.com/gawdzye) is a great heavy metal band, I don't believe we would do ourselves any favors to open for them. right?
I began searching artist names of people touring through Utah and sending emails to them from their websites asking if we could open for them. I probably sent about 30 emails that week. Mostly I was asking smaller acts, but sometimes I got bold and sent one to, say, Colbie Calliet or someone. I figured, they may say no now, but next time they come through, I'll ask again, and again, until they start either remembering us, and I can build a relationship with them without being a crazy person, or they just pick us out of luck. I mean, Roll the dice, they'll land on 7 at least once :D

I had been talking to Ty a few days before about how excited I was that J.R. Richards (http://www.jrrichards.com) of Dishwalla ('Counting Blue Cars') had chosen to 'Follow' me on Twitter. I figured it had to be some mistake but all the same, J.R. is a HUGE inspiration to Ty and I both and we love his old and new music. With a wild hair up my ass, I wrote to him and asked if we could open for him.

Before I go any further, I want to address any aspiring musicians etc reading this....

When you send an email to someone asking to gig, whether its to the coffee shop next door or fucking, J.R. Richards manager, you have to be certain you do a few things.

1: Sell yourself. I don't mean offer a blow job in exchange for the spot. I mean tell them about you in a way that says "if you don't book me, you'll miss out on a GREAT performer". Now, you can't JUST say that. Here's a sample of someone I will make up:

"Gene Roddenberry comes from a hometown family with hometown values that translates into hometown music. He has been singing since he was a child and knew he was going to write songs to speak to the world. His sound is unmistakable and fascinating. Gene has performed with musicians such as Larry King, Tyra Banks, and the great Melody with Tyler Forsberg, and has traveled the world over building a fan base that is growing and dedicated....." etc etc etc. I would go on to talk about what you've done that stands out, what makes you special, and if you can be you without being weird, dirty, or creepy, DO IT. Just sell yourself!

2: If you don't get a response, treat it like a date. Don't write back every day until you get one. Wait 3 days, then, if you feel there's a chance, check back. My rule of thumb though, is if I don't get even a 'thank you we'll be in touch', I don't write back until they may be looking for another act. Remember, if you seem like you're going to stalk, fall over, bug, or otherwise annoy their artist, you wont get booked no matter how good you are.

and I think I'll cut this to -

3: Be professional and very grateful. If they write back and say, 'you suck and we really think you shouldn't quit your day job" Don't tell them where to shove it or be nasty about it. If they never respond, don't write to them and tell them you don't appreciate being ignored or what ever you want to do. And if you get a response and they like you, thank them. Not so much its all the email says. you don't want to look desperate. But tell them how much you appreciate it and be thankful that you got a response. And don't say anything stupid like 'my girlfriend and I make love to your music all the time' lol

Back to the subject;

I sent an email to J.R. Richards, expecting to hear nothing but in the back of my head I kept thinking, "He DOES follow me... maybe...."

We received a response from his manager saying 'I forwarded this to his booking agent' then the booking agent said 'yes we'll be there and may be looking for an opener. I forwarded you to the the guy in charge of that show' The guy in charge of that show wrote us and told us he loved us. We began the booking process but had to wait until J.R.'s team confirmed 100%. It was rough cause we wanted to shout if from the rooftops "WE'RE OPENING FOR J.R. RICHARDS!!!" But we didn't want to tell everyone and have it fall through (reputation is everything. If people think you're a big fat liar, you might as well be because its hard to prove otherwise)

Finally, it was confirmed. We opened for J.R. Richards on October 26, 2009 for a benefit concert for Hanna Laursen. He and his team are the nicest most delicious smelling people I've ever met. We were honored and humbled and realized we have a hell of a lot of work to do lol.

We aimed for something that seemed unattainable and though I sent over 30 messages and we literally only received 1 response, we were able to take part in a life changing and beautiful experience. Thank you to the music Gods for that moment in time. We are in your debt.

My first blog

Hello. And welcome anyone. This is my attempt to make a sort of journal of our road to success as musicians with details about how we get where we're going and all the spectacular events we get to be a part of as well as the amazing people we get to meet.

I wish I would have started this 2 years ago, because I think that If I had, it could have maybe helped another struggling artist in their journey to find their success no matter what level that may be.

For now, we'll do a quick back story. Im sure as time goes on I will add stories from the past.



Ty and I met about 3 years ago this March. I had just moved back from doing door to door sales in Washington State, and Ty was a flooring installer who had recently been a drummer in a band. We met because I played at an open mic and he heard about me and my friend Mara introduced us. We haven't been apart since. :)

I had been playing solo once every 2-3 months at coffee shops and pretty much woke up one morning and said "Im getting Old. Its time to quit effing around if I really want this." I knew that if I didn't get serious about being a musician then, I never would and I would regret it for the rest of my life.

I had tried out for American Idol in Washington just before moving back to Utah, and though I didn't get far, I knew I had something special and NO ONE could tell me differently.



So, Ty and I. We began jamming a little here and there and I was playing at open mics and things like that. Once Ty and I started dating and getting serious he was pretty much performing with me all the time. I remember literally telling him "I'm done messing around. If you want to be together I'd love that, but, I am really going to hit this HARD! I want to play every weekend, all three days if possible. I want to tour, I want this. So if you're in, you're IN"

He said "IM IN"

We haven't looked back lol



Our first show in SLC was at Burt's Tiki Lounge at 10 pm on a Wednesday night. It was rough because we didn't have a reputation to get us weekend shows, we didn't know anyone to open for, and we certainly didn't know where to ask to play.

I am sort of the main Booking agent, as we have rationed out the duties. Ty is the Manager/PR/Producer/Sound guy. I am the Booking agent/advertising rep/songwriter...i guess lol Thats the jist of it.
What happened next? Keep reading :D